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Architectural animation (which provides animated movies of buildings, rather than interactive images) can also be used to see the possible relationship a building will have in relation to the environment and its surrounding buildings. These computer generated models can be more accurate than traditional drawings. Modern architects use services from computer graphic firms to create 3-dimensional models for both customers and builders. Architectural scenes A computer-generated image featuring a house at sunset, made in Blender Many specific techniques have been researched and developed to produce highly focused computer-generated effects - e.g., the use of specific models to represent the chemical weathering of stones to model erosion and produce an 'aged appearance' for a given stone-based surface. Some typical, easy-to-program fractals used in CGI are the plasma fractal and the more dramatic fault fractal. Thus a topographical map with varying levels of height can be created using relatively straightforward fractal algorithms. The creation of a Brownian surface may be achieved not only by adding noise as new nodes are created but by adding additional noise at multiple levels of the mesh. For instance, the algorithm may start with a large triangle, then recursively zoom in by dividing it into four smaller Sierpinski triangles, then interpolate the height of each point from its nearest neighbors.

A simple way to generate fractal surfaces is to use an extension of the triangular mesh method, relying on the construction of some special case of a de Rham curve, e.g., midpoint displacement. Not only do animated images form part of computer-generated imagery natural looking landscapes (such as fractal landscapes) are also generated via computer algorithms.

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See also: Fractal landscape and Scenery generator A fractal landscape created in Terragen

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Availability of CGI software and increased computer speeds have allowed individual artists and small companies to produce professional-grade films, games, and fine art from their home computers.

The evolution of CGI led to the emergence of virtual cinematography in the 1990s, where the vision of the simulated camera is not constrained by the laws of physics.

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Advances in algorithms and electronics in flight simulator visual systems and CGI in the 1970s and 1980s influenced many technologies still used in modern CGI adding the ability to superimpose texture over the surfaces as well as transition imagery from one level of detail to the next one in a smooth manner. Early CGI systems could depict only objects consisting of planar polygons. Combined with the need to pair virtual synthesis with military level training requirements, CGI technologies applied in flight simulation were often years ahead of what would have been available in commercial computing or even in high budget film. Much of this reproduction had to do with believable visual synthesis that mimicked reality. Namely because the object of flight simulation was to reproduce on the ground the behavior of an aircraft in flight. Visual systems developed in flight simulators were also an important precursor to three dimensional computer graphics and Computer Generated Imagery (CGI) systems today. Prior to CGI being prevalent in film, virtual reality, personal computing and gaming, one of the early practical applications of CGI was for aviation and military training namely, the flight simulator. The first music video to use CGI was Dire Straits's award-winning ' Money for Nothing' (1985), whose success was instrumental in giving the process mainstream exposure.

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Other early films that incorporated CGI include Star Wars: Episode IV (1977), Tron (1982), Golgo 13: The Professional (1983), The Last Starfighter (1984), Young Sherlock Holmes (1985) and Toy Story (1995). The first feature film to make use of CGI with live action in the storyline of the film was the 1973 film Westworld. The first feature film to use CGI as well as the composition of live-action film with CGI was Vertigo, which used CGI in the opening credits of the film.